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| Little Milton |
He may not be a household name, but die-hard blues fans know
Little Milton
as a superb all-around electric bluesman -- a soulful singer, an
evocative guitarist, an accomplished songwriter, and a skillful
bandleader. He's often compared to the legendary
B.B. King -- as well as
Bobby "Blue" Bland
-- for the way his signature style combines soul, blues, and R&B, a
mixture that helped make him one of the biggest-selling bluesmen of the
'60s (even if he's not as well-remembered as
King).
As time progressed, his music grew more and more orchestrated, with
strings and horns galore. He maintained a steadily active recording
career all the way from his 1953 debut on
Sam Phillips'
legendary Sun label, with his stunning longevity including notable
stints at Chess (where he found his greatest commercial success), Stax,
and Malaco.
James Milton Campbell
was born September 7, 1934, in the small Delta town of Inverness, MS,
and grew up in Greenville. (He would later legally drop the "James"
after learning of a half-brother with the same name.) His father Big
Milton, a farmer, was a local blues musician, and
Milton
also grew up listening to the Grand Ole Opry radio program. At age 12,
he began playing the guitar and saved up money from odd jobs to buy his
own instrument from a mail-order catalog. By 15, he was performing for
pay in local clubs and bars, influenced chiefly by
T-Bone Walker
but also by proto-rock & roll jump blues shouters. He made a
substantial impression on other area musicians, even getting a chance to
back
Sonny Boy Williamson II, and caught the attention of R&B great
Ike Turner, who was doubling as a talent scout for
Sam Phillips at Sun.
Turner introduced the still-teenaged
Little Milton to
Phillips, who signed him to a contract in 1953. With
Turner's band backing him,
Milton's
Sun sides tried a little bit of everything -- he hadn't developed a
signature style as of yet, but he did have a boundless youthful energy
that made these early recordings some of his most exciting and
rewarding. Unfortunately, none of them were hits, and
Milton's
association with Sun was over by the end of 1954. He set about forming
his own band, which waxed one single for the small Meteor label in 1957,
before picking up and moving to St. Louis in 1958.
In St. Louis,
Milton befriended DJ
Bob Lyons,
who helped him record a demo in a bid to land a deal on Mercury. The
label passed, and the two set up their own label, christened Bobbin.
Little Milton's
Bobbin singles finally started to attract some more widespread
attention, particularly "I'm a Lonely Man," which sold 60,000 copies
despite being the very first release on a small label. As head of
A&R,
Milton brought artists like
Albert King and
Fontella Bass
into the Bobbin fold, and with such a high roster caliber, the label
soon struck a distribution arrangement with the legendary Chess Records.
Milton
himself switched over to the Chess subsidiary Checker in 1961, and it
was there that he would settle on his trademark soul-inflected,
B.B. King-influenced style. Initially a moderate success,
Milton
had his big breakthrough with 1965's "We're Gonna Make It," which hit
number one on the R&B charts thanks to its resonance with the civil
rights movement. "We're Gonna Make It" kicked off a successful string of
R&B chart singles that occasionally reached the Top Ten,
highlighted by "Who's Cheating Who?," "Grits Ain't Groceries," "If Walls
Could Talk," "Baby I Love You," and "Feel So Bad," among others.
The death of
Leonard Chess in 1969 threw his label into disarray, and
Little Milton eventually left Checker in 1971 and signed with the Memphis-based soul label Stax (also the home of his former protégé
Albert King). At Stax,
Milton
began expanding his studio sound, adding bigger horn and string
sections and spotlighting his soulful vocals more than traditional
blues. Further hits followed in songs like "Annie Mae's Cafe," "Little
Bluebird," "That's What Love Will Make You Do," and "Walkin' the Back
Streets and Cryin'," but generally not with the same magnitude of old.
Stax went bankrupt in 1975, upon which point
Little Milton
moved to the TK/Glades label, which was better known for its funk and
disco acts. His recordings there were full-blown crossover affairs,
which made "Friend of Mine" a minor success, but that label soon went
out of business as well.
Milton spent some time in limbo; he recorded one album for MCA in 1983 called
Age Ain't Nothin' But a Number,
and the following year found a home with Malaco, which sustained the
careers of quite a few old-school Southern soul and blues artists.
During his tenure at Malaco,
Milton
debuted the song that would become his latter-day anthem, the bar band
staple "The Blues Is Alright," which was also widely popular with
European blues fans.
Milton
recorded frequently and steadily for Malaco, issuing 13 albums under
their aegis by the end of the millennium. In 1988, he won the W.C. Handy
Award for Blues Entertainer of the Year, and was also inducted into the
Blues Hall of Fame.
